A.P.Polo - iBin Pro Canvas Print with Floating Frame

A.P.Polo - iBin Pro in Canvas Print

A.P.Polo - iBin Pro in Acrylic Print

A P POLO

# 314146

A.P.POLO - IBIN PRO

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A.P.Polo - "iBin Pro" - Hamburg (Germany) - New Media Art. Abstract, contemporary work which, through the use of light and shadow, creates the impres...[+]

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Keywords:

abstract art

contemporary art

modern art

concrete art

abstract

monochrome

pink

rose

pinkish

black

concept

Apple Design

composition

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futuristic

future

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light

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shadows

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retro

abstraction

recycle

bin

trash can

garbage can

dustbin

waste bin

waste

rubbish

garbage problem

curve

fantasy

architecture

wall art

poster

canvas

acrylic

wallpaper

prints

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See this artwork on various walls

STRETCHED CANVAS
ACRYLIC
METAL
HD METAL
WOOD PRINT
ROLL PRINTS
WALL MURALS
FRAMED PRINT

Giclée Canvas Print

All our stretched Canvas are custom made on a Premium Fine Art Matte Canvas 410g/m2 1.5 Inch Thick wood for a real gallery look
Giclee printing with Pigment ink designed to meet galleries and museum longevity requirements and ensure consistency of shades 200 years old. [+]

A.P.POLO - IBIN PRO A P POLO Canvas Print

A.P.POLO - IBIN PRO A P POLO Canvas Print

30 days satisfaction guaranteed
Free shipping in USA and Canada

Stretched Canvas Print We ship in USA & Canada

Ready to hang - Stretched on 1.5" inch thick pine wood - Gallery style

Stretched Split Canvas

36 x 36 triptych - split canvas
39 x 36 inches including space.
3X [ 12x36 ]
^$339

36 x 36 cross triptych split canvas
39 x 36 inches including space.
1X [ 12x36 ] 2X [ 12x30 ]
^$339

More Multi Panel Canvas Print Options

Acrylic Print

Get a Modern piece of art with this vibrant Acrylic Print.
Fine Art made from a Premium polished, best-in-class, 99.9% optically pure acrylic and the latest Flatbed printing craftmanship.

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30 days satisfaction guaranteed
Free shipping in USA and Canada

Acrylic Print with Floating Frame on the back

Printed to the edge & Ready to hang. With a floating frame on the back and hanging wire

1/8" thickness

3/16" thickness

1/8" Thickness:

3/16" Thickness:

Acrylic Print with Stand off

Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )
We suggest a thicker 3/16" acrylic for any size over 42 inches to guarantee a straight acrylic, without curvature

1/8" thickness

3/16" thickness

1/8" Thickness:

3/16" Thickness:

Multi Panel Acrylic Print

Brushed Metal Print / Smooth White Metal Print

Brushed Metal Print

Smooth White Metal Print

The areas of the photograph that are white or very light are not printed The white areas appear metallic.
Robust, very light and provides an amazing aluminum lighting effect [+]

30 days satisfaction guaranteed
Free shipping in USA and Canada

Brushed Metal Print with Floating Frame on the back

Printed to the edge & Ready to hang a floating frame and hanging wire

Brushed Metal Print with Stand off

Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )

Brushed Metal Print with high gloss Epoxy Resin Coat

With a Back Floating Frame and we manually apply an Epoxy Varnish for an amazing lighting effect

Direct print on metal to provide a white smooth satin finish with controlled light reflection.
Robust, very light and provides a Matte effect [+]

30 days satisfaction guaranteed
Free shipping in USA and Canada

White Metal Print with Floating Frame on the back

Printed to the edge & Ready to hang a floating frame and hanging wire

White Metal Print with Stand off

Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )

Multi Panel Metal Print

HD ChromaLuxe Sublimation High-Gloss Metal Print

A.P.Polo - iBin Pro HD Metal print with Floating Frame on Back

A.P.Polo - iBin Pro HD Sublimation Metal print

A.P.Polo - iBin Pro HD Sublimation Metal print with Decorating Float Frame (BOX)

Color brilliance, superior durability and archival qualities
This artwork is produced on a dye sublimation Chromaluxe high-definition metal panel

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30 days satisfaction guaranteed
Free shipping in USA and Canada

Sublimation Hi-Gloss White Metal Print with Back frame

Printed to the edge & Ready to hang a floating frame and hanging wire

Sublimation Hi-Gloss White Metal Print with Decorating Floating Moulding (Black)

Inside a decorating frame (Box) - Black Floating Frame

Multi Panel HD Metal Print

Wood Print

Printed with UV cured inks providing an incredible high quality printed image which is scratch resistant with colors that will not fade overtime.
White and lighter areas are not printed on the wood, revealing the beauty of the wood’s texture and natural beauty!
Printed on 3/8" (9mm) thick and strong and durable Russian Birch wood which is ready to hang and enjoy! [+]

30 days satisfaction guaranteed
Free shipping in USA and Canada

Wood Print with Back Frame Mount

Printed to the edge & Ready to hang a floating frame

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Multi Panel Wood Print

Roll Print

We ship worldwide

Giclée Roll Canvas Print
Printed on Fine Art Matte Canvas Paper - Provided inside a Strong mailing tube [+]

Premium Acid Free Giclée Poster Paper
Printed on Photo Satin Paper - ( Poster ) Provided inside a Strong mailing tube [+]

Giclée Art Matte Paper Print
Printed on a Premium Archival Matte Paper with a smooth texture & neutral-white - Provided inside a Strong mailing tube [+]

Mural Print

Easy to Install. Washable & Repositionable Self-Adhesive Vinyl [+]

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To get your mural price, enter your wall measurement:

INCH FOOT CM

Our 10 Color Technology
Our wall murals are produced on printers with Outstanding photographic print quality & durability Extreme image resolution : photographic image quality with the largest color gamut in its class

Easy to Install
Our Wall Mural Print is removable without any damage to your walls. Easy to change or remove. We are using a premium 6 mil auto-adhesive vinyl with a subtile linen-cotton canvas texture.
Change the look and feel of a room without the hassle of traditional wallpaper. Our wall murals print are the perfect solution to easily enhance any residential or commercial space alike!

Repositionable self-adhesive vinyl delivered in strip of 35 to 45 inches of width and slightly overlap for easy installation.
[More info about our Mural prints]

Custom Framed print

Get this artwork "A.P.Polo - iBin Pro" in a framed print.
Fully customizable - at the exact size you want. Select paper type, glass, matte and decorating frame
Start building your custom framed print by selecting one the following moulding:

A.P.Polo - iBin Pro Picture Frame Printing

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Standard size framed print

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28 x 28"

28 x 28" Framed Print

Printed Area: 24 x 24"
Total Inside area: 28.00 x 28.00"
White Border: 2" on each side
Frame Width: 1.25" on each side
Total Physical dimension: 29.25 x 29.25"

Frame model: 832-745
Printing method: 1200dpi UV cured ink on fine art matte board
Ready to hang with wire at the back

SEE ALL STANDARD FRAME OPTIONS

Wall Clock

Product details

This artwork is Made with high-quality acrylic Ready to hang.

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Clock mechanism with a Precise quartz movement. Battery included
Available in Square or Round format
Available in 12" 16" 24" sizes

Build yours

Digital Download

File resolution: 6226 x 6226 pixels

ABOUT A P POLO
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ABOUT THIS ARTWORK: A.P.POLO - IBIN PRO
A.P.Polo - "iBin Pro" - Hamburg (Germany) - New Media Art. Abstract, contemporary work which, through the use of light and shadow, creates the impression of a futuristic bin, which ultimately led to this completely absurd title of this work. Monochromatic painting has been an important component of avant-garde visual art throughout the 20th century and into the 21st century. Painters have created the exploration of one color, examining values changing across a surface, texture, and nuance, expressing a wide variety of emotions, intentions, and meanings in many different forms. From geometric precision to expressionism, the monochrome has proved to be a durable idiom in Contemporary art. Monochrome painting was initiated at the first Incoherent arts' exhibition in 1882 in Paris, with a black painting by poet Paul Bilhaud entitled Combat de Nègres dans un tunnel (Negroes fight in a tunnel). (Although Bilhaud was not the first to create an all-black artwork: for example, Robert Fludd published an image of Darkness in his 1617 book on the origin and structure of the cosmos; and Bertall published his black Vue de La Hogue (effet de nuit) in 1843.) In the subsequent exhibitions of the Incoherent arts (also in the 1880s) the writer Alphonse Allais proposed other monochrome paintings, such as "Première communion de jeunes filles chlorotiques par un temps de neige" ("First communion of anaemic young girls in the snow", white), or "Récolte de la tomate par des cardinaux apoplectiques au bord de la Mer Rouge" ("Tomato harvesting by apoplectic cardinals on the shore of the Red Sea", red). Allais published his Album primo-avrilesque in 1897, a monograph with seven monochrome artworks. However, this kind of activity bears more similarity to 20th century Dada, or Neo-Dada, and particularly the works of the Fluxus group of the 1960s, than to 20th century monochrome painting since Malevich. Jean Metzinger, following the Succès de scandale created from the Cubist showing at the 1911 Salon des Indépendants, in an interview with Cyril Berger published in Paris-Journal 29 May 1911, stated: "We cubists have only done our duty by creating a new rhythm for the benefit of humanity. Others will come after us who will do the same. What will they find? That is the tremendous secret of the future. Who knows if someday, a great painter, looking with scorn on the often brutal game of supposed colorists and taking the seven colors back to the primordial white unity that encompasses them all, will not exhibit completely white canvases, with nothing, absolutely nothing on them. (Jean Metzinger, 29 May 1911)" Metzinger's (then) audacious prediction that artists would take abstraction to its logical conclusion by vacating representational subject matter entirely and returning to what Metzinger calls the "primordial white unity", a "completely white canvas" would be realized two years later. The writer of a satirical manifesto entitled Manifeste de l'école amorphiste, published in Les Hommes du Jour (3 May 1913), may have had Metzinger's vision in mind when the author justified amorphism's blank canvases by claiming 'light is enough for us'.With perspective, writes art historian Jeffery S. Weiss, "Vers Amorphisme may be gibberish, but it was also enough of a foundational language to anticipate the extreme reductivist implications of non-objectivity". In a broad and general sense, one finds European roots of minimalism in the geometric abstractions of painters associated with the Bauhaus, in the works of Kazimir Malevich, Piet Mondrian and other artists associated with the De Stijl movement, and the Russian Constructivist movement, and in the work of the Romanian sculptor Constantin Brâncu?i. Minimal art is also inspired in part by the paintings of Barnett Newman, Ad Reinhardt, Josef Albers, and the works of artists as diverse as Pablo Picasso, Marcel Duchamp, Giorgio Morandi, and others. Minimalism was also a reaction against the painterly subjectivity of Abstract Expressionism that had been dominant in the New York School during the 1940s and 1950s. The wide range of possibilities (including impossibility) of interpretation of monochrome paintings is arguably why the monochrome is so engaging to so many artists, critics, and writers. Although the monochrome has never become dominant and few artists have committed themselves exclusively to it, it has never gone away. It reappears as though a spectre haunting high modernism, or as a symbol of it, appearing during times of aesthetic and sociopolitical upheavals. Monochrome painting as it is usually understood today began in Moscow, with Suprematist Composition: White on White of 1918 by Suprematist artist Kazimir Malevich. This was a variation on or sequel to his 1915 work Black Square on a White Field, a very important work in its own right to 20th century geometric abstraction. In 1921, Constructivist artist Alexander Rodchenko exhibited three paintings together, each a monochrome of one of the three primary colours. He intended this work to represent The Death of Painting. While Rodchenko intended his monochrome to be a dismantling of the typical assumptions of painting, Malevich saw his work as a concentration on them, a kind of meditation on art's essence (“pure feeling”). These two approaches articulated very early on in its history this kind of work's almost paradoxical dynamic: that one can read a monochrome either as a flat surface (material entity or “painting as object”) which represents nothing but itself, and therefore representing an ending in the evolution of illusionism in painting (i.e. Rodchenko); or as a depiction of multidimensional (infinite) space, a fulfillment of illusionistic painting, representing a new evolution—a new beginning—in Western painting's history (Malevich). Additionally, many have pointed out that it may be difficult to deduce the artist's intentions from the painting itself, without referring to the artist's comment.

This artwork can be shipped worldwide when ordered on Canvas & Poster Roll
Any other format including, Stretched Canvas, Acrylic etc, ships only in Continental USA & Canada (Free shipping)

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